- Amrita-Vivan Mahal
- Anju Mahal
- Bharti Mahal
- Maharani Darbar Mahal
- Maite Mahal
- Sabia Mahal
- Suneet Mahal
- Gogi Mahal
- Arpana Mahal
- Laxmi Mahal
- Laila Mahal
- Ritu Mahal
- Alka Mahal
- Vishakha Mahal
- Anjolie Mahal
- Nilima Mahal
- Anjum Mahal
- Jayashree Mahal
- Arpita Mahal
- Nayanaa Mahal
- Nariman Mahal
- Kanchan Mahal
- Peter Mahal
- Amit Mahal
- David Mahal
- Kalam Mahal
- Omar Mahal
- Shyam Mahal
- Nitin Mahal
- Sanjay Mahal
- Panda Mahal
- Rasa Mahal
- Bandeep Mahal
- Dodiya Mahal
- Gaurav Mahal
- Paramjit Mahal
- Raghu Mahal
- Neeraj Mahal
- Ratish Mahal
- John Mahal
- Krishen Mahal
- Sheikh Mahal
- Arun Mahal
- Sakti Mahal
- Keshav Mahal
- Anupam Mahal
- Durlabhji Mahal
- Vani Mahal
- Saili Mahal
- Kaleka Mahal
- Nandan Mahal
- Vivek Mahal
- Thakore Mahal
- Palette Mahal
- Shailendra Mahal
- Panorama Mahal
- Vasundhara Mahal
- Zeenat Aman Mahal
- Astha Mahal
- Romi Mahal
- Siraj Mahal
- Sunaina Mahal
- Ashish Mahal
- Jy- Ju Mahal
- Raghurai Mahal
- Ayush Mahal
- Nazo Mahal
- Valaya Mahal
- Rahul Mahal
- Rafique Mahal
- Sameedha Mahal
- Manak Mahal
- Rohit Mahal
- Robert Mahal
- Husain-Parthiv Mahal
- Iranna Mahal
- Pratap Mahal
- Broota Mahal
- Raza-Manish Mahal
- Kekoo Mahal
- Surya Mahal
- Lal Mahal
- Mukesh Mahal
- Kotwara Mahal
- Parmeshwar Mahal
- Ayesha Mahal
- Praful Mahal
- Lilly Mahal
- Bina Mahal
- Shailesh Mahal
- Akhilesh Mahal
- Arijoy Mahal
- Ravinder Mahal
- Rahim Mahal
- I'M Mahal
- Panna Mahal
- A. Ramachandran Mahal
- Indore Mahal
- Himmat Mahal
- Goswamy Mahal
The Mardana rooms are built around a spacious garden court ringed on three sides by spectacular arcade halls. These had never been completed and large rocks had to be hand-chiselled to create linear living spaces. The thick walls were pierced to make balconies with views of the countryside. Each room has two or three square rooms linked with wide arches and the facilities are discreetly tucked within.
This suite at two levels represents the blue phase of painter Nandan Ghiya of Jaipur whose creativity took him to deconstruct archival photographs of his father’s collection and to the creation of diagonal blue floors which run up the wall and into the bathroom. His Mahal has one balcony opening onto the sunset.
This suite at two levels represents the blue phase of painter Nandan Ghiya of Jaipur whose creativity took him to deconstruct archival photographs of his father’s collection and to the creation of diagonal blue floors which run up the wall and into the bathroom. His Mahal has one balcony opening onto the sunset.